private eyes, a duo made up of interstellar funk and jeroen, two storied members of amsterdams underground electronic music community. 500, vinyl only. tip! their safe trip debut consists of two analogue-heavy electronic workouts that tend towards the atmospheric. a-side -mirror image- is spacey and melodious, with an italo-disco inspired arpeggio bassline underpinning galactic chords and memorable piano lines. it s a collection of complimentary analogue elements tweaked for maximum late night enjoyment. on the flip you�ll find -anasazi-, an altogether deeper, more hypnotic affair. its distinctive rhythm comes not from bold drum machine beats, but rather the rising and falling of intricate, micro-house style melodies and looped electronics. it feels like it was influenced by the aural textures of dub techno, the phase-based minimalism of steve reich, and the deep space ethos of early 90s european ambient music.

failsafe is a new label created by, and primarily for the release of, material by juxta position, whos output was previously featured on rhythm nation, and on dvs1s mistress recordings imprint. juxta position first came to the attention of the electronic music world in 2013, with the release of juxta position vol 1 on mistress. this debut release contained the widely popular track mercy, which was featured on midlands ra mix, licensed to deetrons fabric 76 dj mix release, and found its way into the crates of many different djs across the spectrum of house and techno. inaugurating the first failsafe release, juxta position delivers two slices of upfront hypnotic techno, custom made for cutting edge djs to provide maximum dancefloor damage.

coling strange lands on lies.. going to hit hard, this one..tip! collin strange has a long and storied history in the new york city underground music scene of the nineties. from owning a record shop in the east village, to working at distributers, to playing in bands of all sorts, to producing music alone, strange was around at one of the most vibrant (and transitional) times in the l.e.s., just on the cusp of guliani s culture crackdown which choked the life out of the city, forcing many to leave. currently located in seattle, strange has picked up where he left off years ago plugging in the gear and churning out blistering acid cuts with a very d.i.y. edge that brings to mind drop bass network, unit moebius, or free party french acid of old. coming full circle these tracks are completely at home on l.i.e.s. and will undoubtedly thrash any soundsystem in sight. play at maximum volume for total disruption

victor ruiz is one of the hottest names in underground electronic music right now, and this 12inch on oliver huntemanns always-reliable senso imprint gives a pretty clear reason why. the brazilian dj and producer has been popping up all over the world in the last few years, and his string of amazing releases on labels such as electric ballroom and sudbeat have cemented his reputation. this 12inch is testament to that reputation made up of four tracks of uncompromising, precise techno. side a brings us red lights a spacey journey to the heart of the dancefloor tweaked and shaped for maximum effect on big room sound-systems. dutchman bart skils steps up on remix duties to provide a sick motor speedway mix somewhere between the krautrock influences of kraftwerk and the sleek techno of detroits 2nd wave. the flip brings us nevermind victor ruiz doing what he does best exploring track dynamics within a perfectly developed journey including an unsettling and trippy vocal that lifts the track even further towards the stars. label boss oliver huntemann stops by to provide the remix stipping the track down to his signature sound - deep and streamlined, yet full of emotion.

etruria beats prodigy dast is back with a four tracker ep named haradon the main title starts with an energic modular sound arpeggiated joined by a magic groove. the remix of kevin de vries, confirms his sound, stated with eternity released on drumcode. the second original track ixor is a maximum expression of the roland 909 and power house melody. pig & dan remix is characterized by a voice that makes the track super hypnotic and explosive

polegroup presents the fourth opus of his cd mix series unknown landscapes vol 4: a compilation of unreleased tracks, mixed and compiled by a member of the polegroup platform.
to make up the fourth volume, juan rico, has selected 22 previously unreleased tracks. besides tracks by reeko, exium, kwartz, jonas kopp, pfirter and oscar mulero, the tracklist includes works by many new faces at the label, such as reggy van oers, dj hyperactive, unbalance and kangding ray.
with this fourth volume, polegroup invites you to discover a powerful selection of unreleased tracks from high-quality techno producers, all mixed by reeko in an 74 minutes long compilation.
an extra feature about this mix series is that the selector chooses a maximum of 4 tracks from the mix cd that will be exclusively released on vinyl. for this edition juan rico has chosen tracks from unbalance, mike parker, lussuria and reeko

nice price deal !!! chicagodamn arrived on the scene with an instant classic on mark es merc label. following this was the stunning debut on his own label, as well as acclaimed releases on the excellent wolf music & claremont65 offshoot sixtyfive. so here we have the eagerly awaited follow up, strobelit futuristic warehouse tackle once again, shot through with the enduring spirit of first-wave detroit techno and the pared down pulse of chicago. attjoh kicks things off with a beautifully realised lesson in dancefloor dynamism and mood, simplistically constructed for maximum impact in the right hands. on the flip joh is another heady concotion of intoxicating atmospherics and spikes of acid bubbling up through the sonic stew, with the mood drenched finalé time waits for no man wrapping up another classic ep.

dj support comes from ben ufo, jon k and hodge. semtek returns with his first work since 2012, when he contributed 12inches to world unknown, awkward movements and in plain sight. in the meantime the cambridge-born, bristol-based producer and dj has been hard at work running his label don t be afraid, bringing through talent including mr beatnick and mgun. bad teeth consists of nothing more complicated than two complementary tracks for the dancefloor, inspired by bleep n bass, jungle and two-step. the title track rolls moody synths, metallic stabs and offbeat drums into a rugged uk house joint. jon of worcester twists similar elements around a broken groove, cutting between drum machine and breakbeats. both tracks feature rolling basslines tuned for maximum soundsystem pressure.

new album of previously unreleased music recorded 1962 at auditorium maximum/ freie universität in berlin. austrian genius friedrich gulda on piano and baritone saxophone, leading a 13-piece, top-shelf lineup of players featuring benny bailey, erich kleinschuster, georg riedel, fatty george, arne domnérus and ack van rooyen. sparkling modern jazz in front of an excited audience, including parkers anthropology, monks round about midnight plus original material by gulda and riedel, with world premiere of �music for three soloists and band. it is the rhythmic drive, the risk, the absolute contrast to the pale, academic approach i had been taught. (f.gulda in new york times).

as icelandic techno receives recognition like never before, so nonnimal steps up to ae recordings with a fine ep that sports many of the hallmarks of this particular corner of scandinavian culture. there s a spacious, dubby minimalism that pervades throughout freyja, but what really sets the record apart is the considered deployment of found sounds, heavily processed and sticking out in the mix to inject some unpredictable energy into these largely calm oceans of rhythmic hypnosis. even without such decoration the music is exemplary, as on the haunting lilt of the title track with its subtly shifting pads tuned to the emotional maximum.

chicago producer savile returns to his home base, argot, for his second release of 2016 -- share power. here, savile skirts the bleeding edge of american dance music, proving without a doubt that he s mastered his own minimal sound. lean, hypnotic, and syncopated. share power is an ode to collaboration, kindness, and making space, distilled through his vision for midwestern house and techno.
share power is dedicated to two parties savile played in ohio during 2015 -- in training in cleveland and midwest fresh in columbus. on -three hours in the meat sink,- savile wrests maximum impact from the barest elements � a sparse, moaning bassline is the track s backbone, upon which rippling synth, hypnotic hi-hats, and a carefully placed call to arms roll out in stride.
flip the record over for -effort won t betray you,- where explosive chord stabs fill a sharp, syncopated skeleton of percussion � that s all there is, and that s all there needs to be.

having repeatedly proven himself to be one of the uk s most innovative rising producers, impey returns with his debut ep, midnight in little havana , on the critically acclaimed astral black imprint. the release follows his bangclap single which comes off the back of two prolific years that have seen the 20 year old producer crafting soundscapes for viral campaigns for converse, securing a residency on nts, tearing up radio sets alongside the likes of faze miyake, and having the likes of skepta, trim, capo lee and rocks foe bless his instrumentals on sets from slimzee, dj maximum, kahn & neek, murlo and plastician. midnight in little havana sees impey serving up a diverse five track collection that showcase his versatile production skills drawing influence from grime, jersey club and vangelis-esque synthscapes. the ep is as much for the dance floor as it is the after hours bus home. at its centre is long time crowd favourite bleepz which finally sees its official release, having been a go-to track exclusively for djs such as boofy & hi5ghost and kromestar. the track is framed by 130bpm dance floor melters pep talk and pong song as well as showing impey s more intricate side through its title track and inner , both of which resemble astral black releases by the likes of drae da skimask and jaisu moreso than its club-focussed vinyl releases. midnight in little havana is presented visually with another stellar effort from astral black in-house designer oscar whale, the 12- being housed in a full colour sleeve depicting an illustration of miami s little havana strip, as detailed & nuanced as impey s productions. midnight in little havana is set for release on october 14th on 12- vinyl & digital via astral black.

royal athlete records are back with another set of party bombs, lovingly curated to achieve maximum perspiration. heading up side a is dreamers by uk s chaconne. a certified disco-piano-banger, recalling 80s nyc hedonism and emotion. (the real) kent clark, who so far has only one release on bordello s riviera disco series follows up with an electro-boogie dub workout entitled make it right . our man in holland: aux tha masterfader, takes us back to the old-school with the linndrum breakdance beast, let s dance to the beat ... he commands, we obey. closing up is dilemma, who recalls the memory of the early days of belgium s debauched nightlife with searing leads and low-motion grooves in bocca nights .

repress alert: -last night- featured in prosumer s landmark litte white earbuds podcast - the last of 200 curated by the influential blog. featuring a combination of jill scott s smooth vocals, shuffling percussion and saintly keys, it s easy to see why this track has seen enduring support from the likes of the one-time berghain resident, as well as alex nut and other nts djs. -that good thing- marries another rnb vocal to a rough-and-ready beat to maximum party-starting effect

break records are being released at an astounding rate. yet most of the sounds and samples used are just the same recycled material from the last dozen break albums. this leaves the dj who is looking for new material to create with, disappointed. that is� until the arrival of grime-n & starfunkle�s sushi breaks, a break record that is the compilation of a decade�s worth of crate digging, sampling and beat making.
featuring all new production from an international array of renowned hip hop djs and producers. each track of beats is set to single bpm, letting the dj juggle endless sets with no need for sudden pitch adjusts, giving maximum creativity to battles routines. sushi breaks is chock full of original sounds and samples not used on previous break albums, offering the dj a whole new tool box of scratch to paint their sound canvas with. pressed at maximum groove depths, sushi breaks keeps the needle where it�s supposed to be, so you can do your best work without interruption.

shir khan presents dancing & romancing hot output

2016 reissue
some straight up banging mid 90 s gear from drew sky under his skyman alias. one for the dm freaks and collectors alike. direct, dancefloor damaging acid in the shape of -focus- bristles alongside the hyper disco cut-up of -peace of mind-, strictly for the heads! flip the record over to check the insane sax samples in -skoba dee- for maximum confusion in the dance! massive record, pure power all the way through and an essential weapon for the record bag! fully, legit reissue done with the permission and assistance of dance mania records and mr. parris mitchell, chicago usa.

the neustadtmusik brother-duo dietrich & strolch present their new release nipl & tipl� - a fresh, bold and dreamy package straight for the dance floor. nipl� starts with a thick bassline and mutates into a real peak time gem. its slowly screwing acid elements drive it to the maximum with pure excitement until the last kick. -tipl� builds a mystical, musical landscape, where rolling bass, driving drums and a melancholic piano meet with delicate percussion resulting in a quality afterhour vibed track. dutch artist lilith (art of dark, memoria recordings) unites both tracks elegantly creating a fresh remix -nipltipltriple- and adds the subtle essence of a shot breakbeat making it a killer tune.

rtct.records joins the hustle - for our first release we managed to convince german house legend leo woelfel to provide a package of four stellar house originals for this 12�. the whole thing is rounded up by a brilliant remix from not me, our hero from barcelona, who brings in even more excellent sample work.
our precious vinyl comes with a certified seal of freshness, so rip it open and enjoy limitless playtime with maximum flavour and watch out for the easter eggs we�ve planted for you...
no fillers - just hits!

last spotted on the exaltics� solar one imprint and the hague�s notorious bunker label, enigmatic producer q-chip unleashes a 6-track ep on gnosis, following the labels inaugural release from myriadd (aka mantra). �access consciousness� is the logical 21st century progression in an electronic music lineage that can be traced from the blueprint laid down by kraftwerk�s �man machine� aesthetic through drexciya in their various incarnations. armed with his machines, q-chip harnesses the energy of pure voltage and sculpts it into sonic visions of the future, whilst acknowledging the rhythmic foundations of electro. this is music that is in essence synthetic and yet at its core human. immaculately produced and conceived, utilising precision tooled beats, deep analogue basslines, eerie glacial synth work and economical vocals deployed to maximum effect. dynamic and inventive arrangements ensure this slab of wax will be in the crates of many discerning electro djs long into the future and should appeal to any ears seeking science fiction through sound.

resplendent in its simplicity, forever is the sound of emika boiled down to her steely essence. gated vocal snippets and haunting synth arpeggios give a nod to early-90s proto-trance, the arps filtering in and out of focus in tense fashion before unfolding into a dreamy melodic progression �never� treads similar ground but takes a more direct approach, the tension building consistently in layers as more arpeggiated synths gently modulate in hypnotic fashion shimmering, icy sounds create a haunting, slow-burning atmosphere before the rhythm switches up for the latter half of the track, layers of gated white noise further punctuating the groove. emika deftly utilises each element for maximum effect, allowing each to breathe and shine by way of slick production and clever arrangement.

the secret squirrels continue to assault the dance floor and make you want to you to dance with two more deadly reworks.
on this 11th episode they continue to disrespect boundaries as they criss-cross from disco to italo to house music in order to do their dirty deeds. cut loud for maximum dj impact.
amen !

better known as kemback, geoff wright is a bristol based producer, selector, composer, violinist, teacher, and waiter whose music is rooted in house and techno but often treads into the weird and wonderful worlds of jazz, soul, folk, and blues. while his gritty drums and shuffling grooves bear the hallmark of the city he now calls home, the melodic sensibility of his emotive strings and distant glimmering synths harks back to the tree-lined footpaths of the tiny scottish village from which he takes his name. his debut release in 2014, on bristol mainstay futureboogie, received widespread support from djs as diverse as skream, mosca, and nemone. more recently his effort as part of alfresco disco s acclaimed maximum joy series, titled awaken , has been likened to the music of artists including floating points and leon vynehall. good night & for you today, the two tracks on kemback s omena debut, showcase a high level of production skill. to complete the package the always excellent auntie flo (aka brian d souza) & omena label boss tooli take turns in remixing good night.

jerome hill returns to super rhythm trax with four tracks displaying one of his biggest influences that of mid nineties chicago labels like relief and dance mania. its time for the has been slaying crowds for the last year with its own no nonsense take on cajmeres much sampled perculator track. a hefty dose of fun and playability is injected into this ep and all 4 tracks are designed for maximum body jacking and involuntary head nodding, each bringing something a little different to the table. support coming already from : annie mac/radio 1, justin robertson, john heckle, ben sims, mark archer, perc, groove armada, jd twitch, locodice, dj tlr, craig richards, wncl, james ruskin, pangaea, phil kieren, lukes anger, posthuman, bleaching agent

nice price deal !!! this ep is the culmination of over a decade of research into the hidden mysteries that dictate the workings of the power structure of the world we live in. the vocals reference situations and phenomenon hiding in plain sight. the matrix is real, and for those wishing to know more this ep is n essential guide. a1- is future modern aaacid house in ¾ time. the odd time signature works in unison with the phrenetic pastor manning telling it like it is with regards to the corrupt us president. the worst in the history of the entire nation. a2 - references jose�s delgato�s mind control experiments and the fact that this technology exists and is in use today. the track was made using the advanced mathematical scheme known as the golden ratio to achieve maximum �pleasure response� from those listening and dancing to it. b1 - emotive chord work along with a huge rolling bass line set the stage for redsilverj�s vocals about the 2 types of people with regards to the new world order. those who will sell out, and those who will wake up. period! lots of changes, melodies, and counter melodies work to make this the most beautiful sounding cut on the record. lush deep house. b2 - the deepest darkest house. ominous almost foreboding chords lay a murky foundation that quickly unfolds like a ghostly mist. the vocals are about the artificial womb phenomenon and the fact that humans will react and be treated like cattle by the elites. late late night deep banging higher consciousness house.

2016 repress - 250 copies only. after the success of his smack release on versatile, maghreban returns with 3 tracks for the label. all of them are quite different. i m not gonna describe them all here� here are some adjectives who will help you to catch the vibe : b-boy house / rough / jackin / early techno influenced / esg / deep / k7. all i can say is that ayman has a special approach to house music, probably influenced by his hip-hop roots as a producer. lots of cuts, breaks and raw sounding for maximum floor effect.

dax j with a nasty 4-tracker for the clergy imprint, cut at 45rpm for maximum pressure.

liverpool is frankie goes to hollywood�s second and last studio album, released in october 1986. it would be the band�s final album of all-new material, and lead singer holly johnson would leave the band following the corresponding world tour.

red double vinyl in gatefold sleeve with download code included.

italian house producer nicholas is back on home taping after a string of releases on labels like 4lux, quintessentials, 20:20 vision and nu groove. and it s straight back into business as usual on this release as he picks up where he left off with his best-selling love message and the music lives eps and delivers 4 raw and tracky dance floor bombs that will keep your dance floor pumping. all the cuts sit perfectly on that line between house & disco for maximum dance floor work. the bonus beats are back

four carnage releases for one special price!

two intense, minimalist bangers whose lean and efficient structure is finely tuned for maximum impact.

travelling without moving 1996 intentionally offers more of what jamiroquai does best: highly addictive funky grooves with a social consciousness that is matched by front man jay kays charisma. the third effort of jamiroquai was carried by an inventive video for *virtual insanity*, the albums flagship song.
pressed on two audiophile heavy weight champions packed in a gatefold sleeve, travelling without moving is finally available on vinyl again, this time with remastered audio for maximum aural pleasure!

let, the young but already assured label from the amsterdam based party crew presents their next release from close friend, robin kampschoer. he previously released music on studio soulrock and redevice, and it is hypnotic, deep and painstakingly produced stuff that makes maximum impact with minimum effort. his first productions for the label come with a remix from none other than detroit s luke hess. serene and blissful rollers that will take any dance floor to a higher mental plane.

deep house soldier from limerick drops 3 tunes that are slow, deep, & burning like a nicely rolled blunt. will appeal to the beatdown heads who get into the momentous track flow & maximum sound design. 3 tracks.

reissue des debütalbums (1981) der legendären psychedelic-dub-formation african head charge um den jamaikanischen produzenten & percussionisten bonjo iyaginhi noah, dessen damals undefinierbarer sound maßgeblichen einfluss auf experimentelle bass-labels wie hyperdub oder tectonic hatte. mit dem clubfavoriten *stebenis theme* und dem track *far away chant* aus david lynchs *wild at heart* soundtrack. re-cut by dubplates & mastering, berlin, for maximum bass pressure! lp auf schwarzem vinyl mit downloadcard und bedruckten innentaschen mit sleevenotes von steve barker (on the wire).

the very first vinyl release from one of australia s leading underground lights, motorik. after throwing acclaimed warehouse parties across the nation, and a burgeoning selection of digital eps from local crew the finger prince, csmnt61, wordlife, jensen interceptor and made in paris, their debut vinyl release is a double a-side featuring the finger prince (made up of dreems and ex-infusion/freeland francis xavier) with their epic -don t talk to me-, a late-night exploration of trans-dimensional dance, plus a skittering, percussive remix from none other than vakula. on the flip is melbourne s mike callander (of haul music infamy) with physics, built around a wonky bassline for more dancefloor exploration. comeme mainstay christian s gets wild on the remix. a gorgeous package with art by babekuhl, delivered 2u on 180g vinyl for maximum bass. this is exclusive to vinyl and will not be released digitally for at least 12 months.

largely sequencer-based composition practices opened up barera s usual hand-playing approach and allowed him to create rich and melodic, yet precise and powerful techno. -the opportunist- conjures images of arriving in darkness, taking what you can, and leaving quickly to avoid detection. -discipline- is barera s full-on workout, with all the rushes associated, itself very much a product of discipline. -a new future- suggests an optimistic if uncertain outlook, a world where anything is possible, while -last glacial maximum,- which refers to a period in the earth s history when ice sheets were at their most recent maximum extension, represents a somewhat bleaker view. the musically kindred spirits behind massachusetts-based mentha records are ideal partners in this project, warmly embracing barera s wide-eyed techno concepts.

one of the most respected producers in the underground, anaxander, contributes two beautiful pieces of original music, and has one of them reworked by deep house heavy hitter, the mighty amir alexander. lost my soul (in yours) is twisted little number, with dual synth riffs echoing off each other for maximum effect. a question about you uses jazzy chords and flutes over its undeniable bassline to retain some soulful flavoring, but amir strips all of that away on his interpretation, preffering instead to let the acid and the warehouse vibes have their way, taking things right into a 6am rave nightmare. this is absolute must-have piece of wax!

nordic ice meets spanish fire in the latest offering from fine grains records collaboration series. blais is a split ep featuring norwegian skweee boss beatbully and barcelona-based machine funk don fitzroy north. the release is complete with three distinct remixes by young scottish grime producer inkke, synthetic funk master joe howe (fka ben butler & mousepad) and one of the finest contemporary beats producers this side of the atlantic, mwëslee. the artwork comes from norwegian graphic artist halvor bodin. blåis , one of over 100 nordic words for snow and ice, occurs when snow falls on a glacier, is compressed, and becomes part of the glacier. over the course of 8 tracks, beatbully & fitzroy north squeeze the maximum from their respective mpc & synth setups to deliver an unpretentious and fun mix of synthetic funk with a punch. moments of minimality, sweet harmonies, bleeps, squeaks and bass are compressed into a gleaming crystallised form

red laser conductor general il bosco once again turns his beam on 8 tracks of mind melding italo. providing a another superb double vinyl release of tracks that have been inspirational to red laser records and the labels releases. this isn t by any means your run of the mill italo selection. il bosco knowingly selects a set that shows the true girth of style and fashion in the genre. face grillers are ramped up next to sleazy pop sensibilities. goth-synth disco frottages with 8-bit machine gun bass lines. chugger masterpieces salivate on crystalline new romantics. as the compiler says truth is, loads of italo is shite but when its good it s up there with the best electronic disco music you will ever hear check this album and you ll agree. for maximum disco potential several red laser protagonists have suitably revamped and edited some of the selections with kid machine & il bosco uniting in the cut, flemming dalum sprinkling his magic dust over a bonafide classic & parisian romain bezzina repairing an old banger. as always red laser pay close attention to detail with all tracks carefully restored & remastered whilst the vinyl comes in full colour heavy card inners with two riso print poster sleeves & a gatefold pvc cover. limited to 500 & no repress !

archie pelago is a trio from brooklyn. greg plays cello, zack plays saxophone, and dan plays trumpet and works the knobs. the archie guys did one of the very first releases on mister saturday night records, and we�re very happy to have them back � especially with such brilliant tunes. the a side, clammy customer, takes dozens of twists and turns, weaving in vocals by the always excellent gabriel garzon-montano, and the b side, madame suede nightshade, was apparently made with us in mind (check the initials). both sides are tried and tested on our dancefloor and cut at 45rpm for maximum oomph.

over the past years bézier has seen releases under the dark entries record imprint with the most recent telomeres ep this year. the title track &#30342,,,, or pronounced * mina* translates from japanese to * everyone*. mina is a journey through space with the initial ascent marked by a moody window of time in which uncertainty dominates the mindset of the passengers. once they break through the atmosphere and are proceeding as planned they land on the final destination, an interplanetary discotheque. mina was recorded this year with mark pistel on the helms for mixing and features sf drummer kevin woodruff of tussle fame providing live drumming for the last portion of the track. along with the title track the b-side includes tracks previously released on compilations but appear here for maximum record playing enjoyment. * serengeti drive* which appeared on honey soundsystems earlier hnytrx compilation of queer dancefloor artists is the slow burner of the group. * mysteries of the deep* which appeared in the jacktone cassette compilation of bay area electronic stars is the soundtrack to an underwater expedition. both tracks were recorded, produced and mixed by robert in his home sf studio in 2009.

already played by ricardo villalobos, raresh, baaz, dj sneak, djebali, ame, ....
home invasion is the new label from real tone man franck roger, a man whose career has scaled the full depths of house music over the past decade or so. evidently seeking a new challenge, the parisian s new imprint promises to adhere to a vehemently underground way of working, with every ep released upfront on vinyl-only terms and produced exclusively on analogue equipment. home invasion continue his quest this time with 3 new tracks freshly made last month by franck roger.. exploring some more funky stuff on the -the drift-, a track that will be pressed full side 45 rpm on the wax to get the maximum dynamic as possible, a sure shot killer for this summers gigs. on the b side we got a purely kind of detroit deep vibe on -why- and -bankal- is here to close the ep in a more abstract-ishhhh way... we really hope that you will enjoy this new one

kepler is no exception to that approach. a tough groove, backed by an enormous bass drum marches forward, while the looped melody patterns keep the energy flowing. the well-structured break downs and crisp hats will provide maximum impact on a proper dancefloor near you. cosmic vision takes us on an excursion into deep space. the sleek slow burner morphs tripped-out, effect filled pads with funk-driven percussion sounds. going full throttle midway, after a mysterious voice starts leading the way.

featured: four bona fide artists, accomplished and historically rooted deeply in the underground. drivetrain (detroit, usa) � take your time�a grove which the dance floor simply cannot deny. derrick thompson unleashes a bewitching bass line atop a relentlessly galvanizing drum track. flavorful female vocal samples raise the energy to maximum capacity. black jack (aberdeen, scotland) � �the earth grid��moving just a little deeper, the melody of rich chords and pads guide the constant pulsating bass with effeminate whispers chanting through the occasional twisting synth refrain. fbk (columbus, usa) � �his brief moment of clarity��boosting the tempo just a tad, a herculean debut production which intelligently punches and stabs dynamic waves of rhythmic sound patterns of perpetual electronic motion. rob belleville (soest, netherlands) � brightened horizon�a first offering on soiree records, spontaneously spotlighting late night ambiance. percussions swing to the bounce of the bass riff as the keyboards chime the infectious theme. -rooted and grounded deep-

�streetlight soul� is the inaugural release on new imprint gnosis. this four track ep is the fifth myriadd record, following 12-s for crème organization, pinkman and signals. the past decade has seen releases from the artist under a variety of pseudonyms including acid phreex (djax-up-beats), mantra (bunker, abstract acid, solar one music) and monofonix (iwari, cataclyst). across the ep, myriadd remoulds the template of vintage chicago house, acid and deep house into his vision of modern house music. opening with midnight obsession , working a dark hypnotic bassline into an endless groove of crisp jacking drums and soul stirring melody, all primed for maximum effect at 4am when lost in the smoke and strobes. visions of love is driven by a juno bassline, a classic palette of tumbling, infectiously funky drums, warm, enveloping synth atmospherics and elevated by lush, celestial string work which comes off like some fantasy mr fingers + virgo psychedelic jam. the ep�s titular track goes deeper into the night with 909 claps, off-kilter snare hits, melancholy synth and ethereal melodies that ascend and dissolve into neon clouds. closer back to nature is a trip into blissed out, tropical house sounding like a lost balearic classic re-tweaked for the 21st century..

tension has the goal to reach the maximum level of sonic enlightenment of the sound. the most important thing of all is the sound, not the words, not the background, and nor even the people. tension is the former project of one single man named emmanuel. (100101 / start of heading).

more nuts stuff for the dance floor from the secret squirrel - limited edition series of vinyl only releases. cut loud and built for maximum club use. dance floor devastation is guaranteed! 2015 repress